Seen · the work

There for the moment.

You wouldn't even know I'm there — yet I capture the life that's lived and the story of the person. The vast meeting the intimate: so alien it's human.

Weddings

The moment someone stops performing.

Not the poses. The half-second between them — where the real day actually lives.
01 · four bodies of work
Weddings
the vow, before the words
Weddings
a hand found in the crowd
Weddings
the room, when no one's looking
Portraits

Be seen — and met.

Portraits, and the coaching to match. The image, and the person who can finally stand inside it.
02
Portrait
the face behind the face
Portrait
stillness that isn't posed
Portrait
a person, arrived
Portrait
seen, not performed
Astro

So alien it's human.

The vast meeting the intimate. The same eye that finds a person, turned up at the sky.
03
Astro
the deep field
Astro
a sky that feels close
Astro
the world, from further out
Writing · 04

Beyond My Baseline.

The same world, in words.

The book — and the vignettes underneath it. The near-fatal accident, the year back, and the way of seeing that came out the other side. The photographs show you the moment; the writing shows you what it cost and what it gave.

Beyond My Baseline
the cover — graded to the world

One eye, one world. Weddings, portraits, the sky, the page — shot across years, on different cameras, in different light. A single grade pulls every frame into one atmosphere, so the work reads as one hand. Your real library drops straight into these frames.

If you want to be seen the way this sees, come and say so.

The vast meeting the intimate — for your day, your face, or your sky.

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